NEW YORK, NY – Chelsea’s Agora Gallery will feature the original work of Artur Golacki in Chelsea International Photography Competition . The exhibition opens January 27, 2018 and runs through February 7, 2018 with an opening reception on Thursday, February 1 from 6-8 pm.

Workmanship Golacki's photos, establishments, and arrays question the view of reality and the breaking points of creative ability and instinct. The craftsman means to reposition normal subjects or conditions, summoning an intelligent condition of consideration in which propensities for marking and designing corrupt.

In Golacki's baffling still lifes, man-made and natural items are canvassed in dark paint and organized to impersonate a traditional token mori. The procedure renders numerous articles unidentifiable, and subsequently outwardly equivalent, making a primal, instinctive scene without subjective scholarly judgments and absolute marks.

Display Dates: January 27 - February 7, 2018

Gathering: Thursday, February 1, 2018 6-8 PM

Display Hours: Tues-Sat 11:00am – 6:00pm

Display Location: 530 West 25th Street, New York, NY

Occasion URL: https://www.agora-gallery.com/artistpage/Artur_Golacki.aspx

Highlighted Artists:

Andres Marcolla | Eduard Korniyenko | David Bartlett | Misha De-Stroyev | Alain Licari | Niki Polyocan | Steve Sumpton | Loïc Vendrame | ANTONIO PRIVITERA | Anca Moanta | Jeremy Damato | Gustavo Mittelmann | Eli Matityahu | Vincent Chahley | Artur Golacki | SIDNEY COSTA GASPAR | HaleLee Seoyeon | Laura Pannack | Steffen Tuck | Cecilia Manzanares Vargas | Stephanus Meyer | Michela Carmazzi | Alina Fedorenko | Ivan Pushkin | Jacob Wallwork | Kévin Galop | Clay Jordan |Tibor Kércz

About the Exhibition

The Chelsea International Photography Competition

The Chelsea International Photography Competition show includes the assorted works of 28 expert and beginner picture takers. The deals with see were chosen by a recognized board of attendants and pass on the surprising broadness and worldwide nature of the photographic medium. Through expressive representations, still lifes, and theoretical works, the presentation passes on an extraordinary point of view on the custom of photography and how the medium passes on thoughts, makes fictionsFind Article, or catches dispositions.